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  2. List of anamorphic format trade names - Wikipedia

    en.wikipedia.org/wiki/List_of_anamorphic_format...

    CinemaScope (USA ["Bausch & Lomb formula" anamorphics, used for the fourth and all subsequent CinemaScope films]/France ["Chrétien formula" anamorphic, used for only the first three CinemaScope films]; pre-releases were 2.66:1, with separate 3-track sound, and 2.55:1, with composite 4-track sound, before standardization on 2.35:1; all general ...

  3. CinemaScope - Wikipedia

    en.wikipedia.org/wiki/CinemaScope

    CinemaScope was developed to use a separate film for sound (see Audio below), thus enabling the full silent 1.33:1 aperture to be available for the picture, with a 2:1 anamorphic squeeze applied that would allow an aspect ratio of 2.66:1. When, however, developers found that magnetic stripes could be added to the film to produce a composite ...

  4. Category:CinemaScope films - Wikipedia

    en.wikipedia.org/wiki/Category:CinemaScope_films

    Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.

  5. Anamorphic format - Wikipedia

    en.wikipedia.org/wiki/Anamorphic_format

    One common misconception about the anamorphic format concerns the actual width number of the aspect ratio, as 2.35, 2.39 or 2.40. Since the anamorphic lenses in virtually all 35 mm anamorphic systems provide a 2:1 squeeze, one would logically conclude that a 1.375∶1 full academy gate would lead to a 2.75∶1 aspect ratio when used with ...

  6. Tamacha - Wikipedia

    en.wikipedia.org/wiki/Tamacha

    Tamacha (transl. Smack) is a 1988 Hindi-language action film, produced by Prasan Kapoor under the Tirupati Pictures Enterprises banner and directed by Ramesh Ahuja. It stars Jeetendra, Rajinikanth, Amrita Singh, Bhanupriya in the pivotal roles and music was composed by Bappi Lahiri. Rajnikanth did an anti-hero role of an underworld don in this ...

  7. Anamorphosis - Wikipedia

    en.wikipedia.org/wiki/Anamorphosis

    Cinemascope, Panavision, Technirama, and other widescreen formats use anamorphosis to project a wider image from a narrower film frame. The IMAX company uses even more extreme anamorphic transformations to project moving images from a flat film frame onto the inside of a hemispheric dome, in its "Omnimax" or "IMAX Dome" process.

  8. TohoScope - Wikipedia

    en.wikipedia.org/wiki/TohoScope

    Its technical specifications are identical to those of CinemaScope. This widescreen format was first used for the black-and-white films The Men of Tohoku , [ 1 ] and On Wings of Love , made use of color in The Last Pursuit , [ 2 ] and debuted in full-color (and tokusatsu ) with The Mysterians (all 1957).

  9. Tamasha (1952 film) - Wikipedia

    en.wikipedia.org/wiki/Tamasha_(1952_film)

    Tamasha is a 1952 Indian Hindi-language romantic comedy film directed by Phani Mazumdar, starring Meena Kumari, Dev Anand and Ashok Kumar.One of the big hits of the year from Bombay Talkies produced by Ashok Kumar and Savak Vacha, "Tamasha" had a narrative far ahead of its times, its action spread over 16 eventful days.

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