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Hindustani, the lingua franca of Northern India and Pakistan, has two standardised registers: Hindi and Urdu.Grammatical differences between the two standards are minor but each uses its own script: Hindi uses Devanagari while Urdu uses an extended form of the Perso-Arabic script, typically in the Nastaʿlīq style.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Indian classical music is the classical music of the Indian subcontinent. [1] It is generally described using terms like Shastriya Sangeet and Marg Sangeet. [2] [3] It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. [4]
The Jor is situated between the Alap and Jhala, commonly known as the instrumental Alap-Jor-Jhala-Gat format. This framework details the unmetered instrumental structure of the Raga, which is performed with a regular pulse and over a wider melodic range. [11] This format is the foundation of Dhrupad as was introduced into the West in the 20th ...
Tappa is a form of Indian semi-classical vocal music whose specialty is its rolling pace based on fast, subtle, knotty construction. It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah, the Nawab of Awadh.
Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". [1] Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj.
A form of Ishvara or God in Shaivism. Śiva is commonly known as "the destroyer" and is the third god of the Trimurti. Sīmābandha (Sanskrit सीमाबन्ध, literally “boundary, edge + bounded”) a restriction in access to a specific area, often for training &/or purification in esoteric Hinduism (and Buddhism). Sita