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Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.
Ottoman incense burners, city gas lamps, stoves; chandeliers, oil lamps, spirit lamps, acetylene lamps, Byzantine and Roman oil lamps, lanterns from different eras and places, and; hundreds of amazing items for illumination and heating. All are displayed in historical sequence, starting from the discovery of fire one million years ago.
Ottoman miniature and Ottoman illumination cover the figurative and non-figurative elements of the decoration of manuscripts, which tend to be treated as distinct genres, though often united in the same manuscript and page. [11] The reign of the Ottomans in the 16th and early 17th centuries introduced the Turkish form of Islamic calligraphy.
The Ottomans also did not continue the Seljuk tradition of constructing monumental stone portals covered in ornamentation. [118] Lastly, as the classical Ottoman style took form, large solid walls that were common in more traditional structures were superseded by highly articulated structures with many elements joined as part of a more complex ...
The first Ottoman hospital, Dar al-Shifa (literally "house of health"), was built in the Ottoman’s capital city of Bursa in 1399. [24] This hospital and the ones built after were structured similarly to the ones of the Seljuk Empire , where "even wounded crusaders preferred Muslim doctors as they were very knowledgeable."
A digital rendering of the Bismillah in an 18th-century Islamic calligraphy from the Ottoman region, Thuluth script. Thuluth was developed during the 15th century and slowly refined by Ottoman Calligraphers including Mustafa Râkim, Shaykh Hamdallah, and others, till it became what it is today. Letters in this script have long vertical lines ...
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Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
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