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Certifications for "Lost on You" Region Certification Certified units/sales Australia [4] Gold 35,000 ‡ Canada (Music Canada) [5] Gold 40,000 ‡ United Kingdom [6] Gold 400,000 ‡ ‡ Sales+streaming figures based on certification alone.
"Lost on You" is a song recorded by American recording artist LP (Laura Pergolizzi). It was released on November 20, 2015, as the second single from their third EP, Death Valley and the fourth studio album of the same name (2016). The song experienced commercial success, mostly in Central and Eastern Europe and Western Asia, and topped the ...
"Pointless" is a song by Scottish singer-songwriter Lewis Capaldi. It was released on 2 December 2022 as the second single from his second studio album, Broken by Desire to Be Heavenly Sent (2023). "Pointless" reached number-one in the UK Singles Chart on 13 January 2023, becoming Capaldi's fourth number-one single in the United Kingdom.
It should only contain pages that are Lewis Capaldi songs or lists of Lewis Capaldi songs, as well as subcategories containing those things (themselves set categories). Topics about Lewis Capaldi songs in general should be placed in relevant topic categories .
Capaldi is a fan of association football and supports the Glasgow-based Celtic F.C. [66] He and actor Peter Capaldi are cousins. Peter appeared in Lewis's music video for "Someone You Loved". [67] After his rise to fame, Capaldi started feeling anxiety and a pressure to perform, and he started showing nervous tics.
This is the discography of Scottish singer-songwriter Lewis Capaldi.He achieved global mainstream success in 2019 with his breakthrough single "Someone You Loved", which charted in over 29 countries and spent seven weeks at number one on the UK Singles Chart.
A trailer for Capaldi's Netflix documentary Lewis Capaldi: How I'm Feeling Now, was released on 16 March 2023, [10] followed by the promotional single "How I'm Feeling Now" a day later. [11] The documentary premiered on 5 April. [10]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.