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As a result, traditional Korean patterns are seen as visual art detailed with symbolism, value, and emotion. [1] These prints often capture the beauty of nature, longing for a utopia, affection, and the prayers for good fortune. [2] One of the major patterns used in Korea is a peony in bloom, symbolizing wealth.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
The Himalayan peony is a diploid nothospecies with ten chromosomes (2n=10), that results from hybridisation between P. lactiflora and P. mairei. [4] This large species of perennial herbaceous peony with hairless stems of 60–150 cm high, has large deep-cut leaves of 30–60 cm long, with up to fifteen hairless, lanceolate pointed leaflets or lobes of up to 14 cm.
Architects distinguished between northern and southern styles of gardens and parks; the former was characterized by large dimensions and vibrant colors, while the latter was known for its modesty and monochromatic design. [92] Over time, the relationship between buildings and gardens shifted.
Paeonia lactiflora was known as the white peony (P. albiflora) when first introduced into Europe. [4] It was brought to England in the mid-18th century, and is the parent of most modern varieties. It has been grown as an ornamental in China since the 7th century. [2] The Latin specific epithet lactiflora means "with milk white flowers". [5]
Peony, by Chinese artist Wang Qian, Yuan dynasty (1271–1368) Portrait of a peony by Chinese artist Yun Shouping, 17th century. The peony is among the longest-used flowers in Eastern culture. Along with the plum blossom, it is a traditional floral symbol of China, where the Paeonia suffruticosa is called 牡丹 (mǔdān). It is also known as ...
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