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The safety valve theory was an American theory of economic development that held the availability of free land and continued expansion westwards into the American frontier contributed to American development, explained the lack of labor movements in the United States, and promoted democracy, economic equality and individualism. [1]
It was a distinct genre of American music. In the early 19th century, the yearly per capita consumption of alcohol in the US was as high as 3.9 gallons (14.8 liters) in the 1830s. [2] In response, many temperance organizations formed over the next eighty years. [3]
Safety-valve organizations can exist in politics, where they provide an outlet for those dissatisfied with the political and social situation to legally organize and discuss it. For example, Saugat K. Biswas notes that the Indian National Congress was such an organization in late 19th-century India. [ 15 ]
Well temperament (also good temperament, circular or circulating temperament) is a type of tempered tuning described in 20th-century music theory. The term is modeled on the German word wohltemperiert. This word also appears in the title of J. S. Bach's famous composition "Das wohltemperierte Klavier", The Well-Tempered Clavier.
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. [4] Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music , nationalism in music , the theory of modernism , and analysis. [ 4 ]
Pages in category "19th century in music" The following 129 pages are in this category, out of 129 total. This list may not reflect recent changes. 0–9.
19th-Century Music 4, no. 1 (1980): 3–16. Reprinted in Cone, Music: A View from Delft, 139–57. "The Authority of Music Criticism." Journal of the American Musicological Society 34, no. 1 (1981): 1–18. Reprinted in Cone, Music: A View from Delft, 95–112. "On the Road to Otello: Tonality and Structure in Simon Bocanegra."