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Wedding Tapa, 19th century, from the collection of Los Angeles County Museum of Art. Tapa cloth (or simply tapa) is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii (where it is called kapa).
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
Mary Jewett Pritchard, 1944. Mary Jewett Pritchard (September 17, 1905 – June 6, 1992) was an American Samoan textile artist. Pritchard is widely credited with reviving the art of siapo, the Samoan version of tapa, handmade cloth created by pounding the bark of plants.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Samoan police band, wearing lava-lavas A Samoan woman wearing a lavalava in Apia. A lavalava, sometimes written as lava-lava, also known as an ' ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt ...
Feu'u emigrated to New Zealand in 1966 after growing up in the village of Poutasi, Western Samoa. [2] He always wanted to be an artist and noted the difference of how art was viewed between Samoa and New Zealand, with 'beautifully made, functional canoes and houses' being art in Samoa and in New Zealand art was 'something extra special not to be touched'.
The puletasi (Samoa) or puletaha (Tonga) is a traditional item of clothing worn by Samoan, Tongan, and Fijian women and girls. Today, puletasi is used as a female full dress. It is most commonly worn to church and formal cultural event