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V-J Day in Times Square, a photograph by Alfred Eisenstaedt, was published in Life in 1945 with the caption, "In New York's Times Square a white-clad girl clutches her purse and skirt as an uninhibited sailor plants his lips squarely on hers" Alfred Eisenstaedt signing a copy of his famous V-J Day in Times Square photograph during the afternoon of August 23, 1995, while sitting in his Menemsha ...
Johnson asserted that he was aware of this issue, and had used another photograph of the kissing couple taken by Victor Jorgensen, which is in the public domain. [14] The attorney for the municipal government said that the attorneys for Johnson and the donor had fulfilled the requirements set by the city commission, making way for exhibition of ...
It is for this reason that the fountain is decorated with flowers very frequently, and throughout the year. Until recently, climbing and kissing of the monument remained officially forbidden although both the city of Göttingen and the university advertise themselves with pictures of PhD graduates kissing the girl.
Taylor Swift and Travis Kelce were photographed kissing on the lips during a holiday party in Kansas City—check out the pic! ... This is actually one of several photos of Taylor and Travis that ...
The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, [2] but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.
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The Kiss (French: Le Baiser) is an 1882 marble sculpture by the French sculptor Auguste Rodin. The embracing nude couple depicted in the sculpture appeared originally as part of a group of reliefs decorating Rodin's monumental bronze portal The Gates of Hell , commissioned for a planned museum of art in Paris.
A version of Rubin's vase. The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.