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A few scholars, like Dr. Ze’ev Goldmann, believe that Samaritan Christianity continued on for some time thereafter, and argue that “Samaritan Neo-Christians” had moved to Capernaum and had adopted the use of the pelta (shield) symbol as a representative sign, having a function similar to the Jewish star of David, which can be seen at ...
The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
The Samaritan people were eventually helped by the Jewish Hakham Bashi Chaim Abraham Gagin, who decreed that the Samaritans are "a branch of the children of Israel, who acknowledge the truth of the Torah," and as such should be protected as a "People of the Book". As a result, the ulama ceased their preaching against Samaritans.
Christ and the Canaanite Woman (Preti) Christ and the Penitent Sinners; Christ and the Samaritan Woman (de Troy) Christ and the Samaritan Woman (Carracci) Christ and the Samaritan Woman (Kauffman) Christ and the Virgin Diptych; Christ and the Woman of Samaria (Gentileschi) Christ Appointing Saint Roch as Patron Saint of Plague Victims
Luke 10 is the tenth chapter of the Gospel of Luke in the New Testament of the Christian Bible.It records the sending of seventy disciples by Jesus, the famous parable about the Good Samaritan, and his visit to the house of Mary and Martha. [1]
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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