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Maud is only seventeen by Eleanor Fortescue-Brickdale. Maud, and Other Poems (1855) was Alfred Tennyson's first published collection after becoming poet laureate in 1850.. Among the "other poems" was "The Charge of the Light Brigade", which had already been published in the Examiner a few months earlier.
Maud and other poems, an 1855 volume of poetry by English poet Alfred, Lord Tennyson "Maud" (poem) , title poem in the 1855 volume by Alfred, Lord Tennyson Maud , a werecat in the Inheritance Cycle
Alfred Tennyson, Maud and other poems, including The Charge of the Light Brigade (first published in a periodical in 1854), Ode on the Death of the Duke of Wellington 1852 (see also William Cox Bennett's Anti-Maud parody, above) [3]
Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria 's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".
Tennyson made revisions to the poem due to criticisms by the American poet Frederick Goddard Tuckerman and others; [6] these were published in Tennyson's volume Maud and Other Poems (1855). These changes were criticized by several, including both Tennyson and Tuckerman. [citation needed]
Idylls of the King, published between 1859 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson (1809–1892; Poet Laureate from 1850) which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom.
Come Into the Garden, Maud may refer to: Come into the garden, Maud , a line from the poem Maud by Alfred, Lord Tennyson Come Into the Garden, Maud (play) , a comedy play by Noël Coward
Tennyson's use of allegory in "The Deserted House" established a method that he later developed into "parabolic drift", the term he used to describe his metaphoric style in Idylls of the King. The specific allegory, the use of a dark house as a metaphor for a dead body, reappears in the seventh part of Tennyson's In Memoriam ; the Hallam house ...