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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Smaller models may be built in slightly different designs as well, or they may be simple smaller versions of the classic design. Small models generally have less sustain and a sound which is less full, since the sound box is significantly smaller. Another rarer and more expensive type of harmonium is the 22 shruti (22 microtone
A tin box is a tinplate container. Tinplate metal is primarily steel with a very thin tin coating. Tin-free steel is also used. In some cultures, these boxes or cans are referred to as "tin boxes" or sometimes even "tins". Many “tin boxes” have hinged or removable lids or covers. Some people collect tin boxes as a hobby.
Microtonal musicians use tuning systems other than 12-tone equal temperament, or whatever the standard tuning for their culture is. Subcategories This category has only the following subcategory.
A semitone is thus made of two steps, and three steps make a three-quarter tone or neutral second, half of a minor third. The 8-TET scale is composed of three-quarter tones. Four steps make a whole tone. Quarter tones and intervals close to them also occur in a number of other equally tempered tuning systems.
The Old Copper Culture did not develop advanced metallurgy like the principle of creating alloys. This means that many, though they could make metal objects and weapons, continued to use their flint, which could maintain a sharper edge for much longer. The unalloyed copper could simply not compete in daily utilization.
A mult box is a device that allows a single audio source, such as a microphone, to be shared to multiple outputs for recording or broadcast. [1] A mult box is sometimes called a press box, but that term is usually reserved for the sports media's section of an arena. It may also be called a press mult box or press bridge. [2]
The performance of keyboard tone clusters is widely considered an "extended technique"—large clusters require unusual playing methods often involving the fist, the flat of the hand, or the forearm. Thelonious Monk and Karlheinz Stockhausen each performed clusters with their elbows; Stockhausen developed a method for playing cluster glissandi ...