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"Hoist with his own petard" is a phrase from a speech in William Shakespeare's play Hamlet that has become proverbial. The phrase's meaning is that a bomb-maker is blown ("hoist", the past tense of "hoise") off the ground by his own bomb (" petard "), and indicates an ironic reversal or poetic justice.
After its discovery in 1823, its initial editors typically took the view that Q1 was an early draft of the play, perhaps even a revision of the Ur-Hamlet, but John Payne Collier argued in 1843 that it was simply a bad version: a "pirated" text, one of the "stol'n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors", which were denounced in the preface to ...
As Polonius's son Laertes prepares to depart for France, Polonius offers him advice that culminates in the maxim "to thine own self be true." [6] Polonius's daughter, Ophelia, admits her interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances. That night on the rampart ...
Polonius echoes the request for help and is heard by Hamlet, who then mistakes the voice for Claudius' and stabs through the arras and kills him. Polonius's death at the hands of Hamlet causes Claudius to fear for his own life, Ophelia to go mad, and Laertes to seek revenge, which leads to the duel in the final act.
Laertes / l eɪ ˈ ɜːr t iː z / is a character in William Shakespeare's play Hamlet.Laertes is Polonius' son and Ophelia's brother. In the final scene, he mortally stabs Hamlet with a poison-tipped sword to avenge the deaths of his father and sister, for which he blamed Hamlet.
Polonius comes rushing in. The King tells him he has seen the ghost of the dead king. Polonius tries to calm the King and warns him to beware lest a word betray them both. The King rushes out followed by Polonius. Hamlet emerges from behind the tapestry (Hamlet: Polonius est son complice! le père d'Ophélie! – "Polonius is his accomplice.
Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens ...
The first intervention of Osric is re-imagined as a fax machine in Hamlet and Horatio's apartment, delivering Laertes' message right before the duel. However, Osric does appear during the duel between Hamlet and Laertes. Though Hamlet and Laertes still fence, Laertes does not kill Hamlet with a poisoned rapier (or here, foil).
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