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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies , in a life class , has been a large element in the traditional training of artists in the Western world since the Renaissance.
Still life photography is a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. Similar to still life painting, it is the application of photography to the still life artistic style. [1] Tabletop photography, product photography, food photography, found object photography etc. are ...
Pronkstilleven (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, characterised by large and complex compositions and an elaborate palette. Pronkstillevens typically depict a wide variety of objects, fruits, flowers and inanimate animals, often accompanied by live human and animal figures.
Pythagoras Advocating Vegetarianism (1628–1630), by Peter Paul Rubens (figures) and Frans Snyders (still life), mixing history painting and still life in a way typical of Flemish Baroque painting. The Burial of Phocion by Poussin, 1648; a couple of small figures upgrade a landscape into a history painting Paulus Potter, The Bull (1647); 3.4 ...
A still life is a work of art depicting inanimate subject matter. Still Life, The Still Life, or Still Lives may also refer to: Category:Still life paintings; Still Life (Rufino Tamayo), a 1954 mural by Rufino Tamayo; Still life photography; Still life (cellular automaton), an unchanging pattern in a cellular automaton
At first he placed light subjects against a background, as in Still Life with Four Stone Bottles, Flask and White Cup (1884) Then he realized the effectiveness of using "pure colors, such as in Still Life with Lemons on a plate (1887) and even more so in Still Life: Drawing Board, Pipe, Onions and Sealing-Wax (1889)." [65]
Protestant religious art both embraced Protestant values and assisted in the proliferation of Protestantism, but the amount of religious art produced in Protestant countries was hugely reduced. Artists in Protestant countries diversified into secular forms of art like history painting, landscape painting, portrait painting and still life.