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The Etruscan original to the Roman Minerva, made into Greek Athena. [28] Munthukh: Goddess of love and health, and one of the attendants of Turan: Nethuns: Italic divinity, probably Umbrian, of springs and water, [35] identified with Greek Poseidon and Roman Neptune, from which the name comes. [36]
Minerva was the goddess of wisdom, war, art, schools, justice and commerce. She was the Etruscan counterpart to Greek Athena. Like Athena, Minerva burst from the head of her father, Jupiter (Greek Zeus), who had devoured her mother (Metis) in an unsuccessful attempt to prevent her birth.
Minerva is a feminine given name usually given in reference to the Ancient Roman goddess of wisdom. The name Minerva stems from Proto-Italic * meneswo (" intelligent , understanding "), and ultimately from Proto-Indo-European (PIE) * menos (" thought ").
The Athena Giustiniani, a Roman copy of a Greek statue of Pallas Athena (Vatican Museums) Engraving from the Galleria Giustiniana, c. 1630–1640 (the first publication of the statue) The Athena Giustiniani or Minerva Giustiniani is a Roman marble statue of Pallas Athena , based on a Greek bronze sculpture of the late 5th–early 4th century BCE.
And the Roman poet Ovid tells us that Medusa was originally a beautiful maiden, but because of a sexual encounter with Neptune (the Roman equivalent of the Greek Poseidon) in Minerva's temple (Minerva being the Roman equivalent of the Greek Athena), Minerva punished Medusa by transforming her beautiful hair into horrible snakes. [51]
The association between the owl and the goddess continued through Minerva in Roman mythology, although the latter sometimes simply adopts it as a sacred or favorite bird.. For example, in Ovid’s Metamorphoses, Corone the crow complains that her spot as the goddess' sacred bird is occupied by the owl, which in that particular story turns out to be Nyctimene, a cursed daughter of Epopeus, king ...
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.
The aegis on the Lemnian Athena of Phidias, represented by a cast at the Pushkin Museum. The aegis (/ ˈ iː dʒ ɪ s / EE-jis; [1] Ancient Greek: αἰγίς aigís), as stated in the Iliad, is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon.