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Hardknox is an English electronic music duo consisting of producer and instrumentalist Steve Proctor and vocalist Lindy Layton. They have released two singles and a self-titled album. Their musical style features heavy beats with powerful vocal samples and unusual loops and sound effects.
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Turbo (Music from the Motion Picture) is the soundtrack to the 2013 DreamWorks Animation film of the same name. Released by Relativity Music Group on July 15, 2013, it featured several pop , rock and EDM tracks, from artists such as Run-DMC , Tom Jones , The Jackson 5 , Pitbull and Lil Jon among several others. [ 1 ]
The modern convention is to specify the main note (either the bass line or melody line) and let the intervals go up or down from there as appropriate. For instance, in most piano music the left hand specifies the bottom note and intervals go bottom-up while the right hand specifies the top note and intervals go top-down.
A drop or beat drop in music, made popular by electronic dance music (EDM) styles, is a point in a music track where a sudden change of rhythm or bass line occurs, which is preceded by a build-up section and break. [1] Originating from disco and 1970s rock, drops are found in genres such as EDM, trap, hip-hop, K-pop and country. With the aid of ...
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass.) Three situations are possible: The bass note is the root or fundamental of the chord. The chord is in root position.
Michael Burks (July 30, 1957 – May 6, 2012) was an American electric blues and soul blues guitarist, singer and songwriter. He is best known for his tracks, "Everybody's Got Their Hand Out", "I Smell Smoke" and "Hard Come, Easy Go", and variously worked with Johnnie Taylor, O. V. Wright, and Marquise Knox.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
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