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Little Satchmo is a 2022 documentary film about Louis Armstrong's secret daughter, Sharon Preston-Folta. The film is distributed by PBS International [1] and won an EMMY Award (2023 Outstanding Historical Documentary, Southeast). [2] It is directed by John Alexander [3] and produced by Lea Umberger and JC Guest.
Louis Armstrong: An Extravagant Life. ISBN 0553067680; Cogswell, Michael (2003). Armstrong: The Offstage Story. ISBN 1888054816; Elie, Lolis Eric. A Letter from New Orleans. Originally printed in Gourmet. Reprinted in Best Food Writing 2006, ed. by Holly Hughes, Da Capo Press, 2006. ISBN 1569242879; Teachout, Terry (2009). Pops – A life of ...
"Uncle Satchmo's Lullaby" (also known under its German title "Onkel Satchmo's Lullaby") is a 1959 song, written by Erwin Halletz and Olaf Bradtke, and sung by Louis Armstrong and German singer Gabriele Clonisch, better known as Gabriele, who was 12 years old at the time.
Louis Armstrong is the latest music legend to have his life story told in a Broadway bio musical.. The Grammy-winning trumpeter and vocalist — who was known as the King of Jazz over the course ...
The song was stored in music box format in a permanent outdoor display in Cathedral Park under the St. John's Bridge in Portland, Oregon. Permanent outdoor exhibit of a metal river at Cathedral Park, under the St. John's Bridge in Portland Oregon, installed with music box tune of Hoagy Carmichael's "Up A Lazy River", the year the bridge was dedicated.
This is one of Louis Armstrong's earliest film appearances. Armstrong and his orchestra perform "High Society Rag", the title song, and "Chinatown". [4] The use of a currently popular musician represented competition with the contemporaneous music library accessibility greatly exploited by animators Hugh Harman and Rudolf Ising, when producing musically-synchronized shorts for the Warner Bros ...
"What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong on August 16, 1967. In April 1968, it topped the pop chart in the United Kingdom, [3] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
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