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Limbo is a 2021 Hong Kong action thriller film directed by Soi Cheang and starring Gordon Lam, Cya Liu, Mason Lee and Hiroyuki Ikeuchi. The film is based on the novel Wisdom Tooth by Chinese novelist Lei Mi. [3]
The Last Dance (Chinese: 破·地獄) is a 2024 Hong Kong drama film directed and written by Anselm Chan. Starring Dayo Wong, Michael Hui, Michelle Wai, and Chu Pak Hong, the film explores themes related to Hong Kong's deathcare and follows a wedding planner (Wong) who enters the funeral industry through a partnership with a traditional Taoist priest (Hui), seeking to understand the meaning of ...
The cinema of Hong Kong (Chinese: 香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony , Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan , and developed into a filmmaking hub for ...
For those who instantly associate Taoist movie priests with the hopping vampires and hungry ghosts of Hong Kong’s goeng-sin horror-comedy heyday of the 1980s (like “Mr. Vampire” and “Kung ...
Raging Fire is a 2021 Hong Kong-Chinese action film directed by Benny Chan in his final directorial before his death. It stars Donnie Yen in the lead role, alongside co-stars Nicholas Tse, Qin Lan and Simon Yam. [1] Raging Fire was released on 30 July 2021 in mainland China and Hong Kong on 19 August 2021. [2]
Look for a Star is a Hong Kong and Chinese co-production that marks the sixth collaboration between producer, director, and cinematographer Andrew Lau and Cantopop singer and actor Andy Lau. It is also the second film collaboration between Andy Lau and actress Shu Qi .
This is a list of films produced in Hong Kong ordered by decade and year of release in separate pages. For film set in Hong Kong and produced elsewhere see List of films set in Hong Kong . Zhuangzi Tests His Wife (1913), the first Hong Kong narrative film
The film was shot entirely in Hong Kong under a budget of HK$45 million [8] (US$5.8 million), which was considered a conservative figure among growing Chinese movie budgets. [5] Chan described the film as the most demanding film in his career, as he and co-screenwriters Alan Yuen and Xu Bing tried to make the film appeal to Chinese audiences.
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