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The term "OPM" became a catch-all description for all popular music of any genre composed, performed and recorded by Filipinos in the Philippines, [8] originating from the Philippines. Before the emergence of OPM in the 1970s, Philippine popular music through the 1950s and 1960s encompassed songs, mostly with vernacular lyrics and frequently ...
Forevermore is the second studio album by Filipino singer Juris, released on July 22, 2011 by Star Records in the Philippines in CD format [1] [2] and in digital download through iTunes [3] and Amazon.com. [4] It consists of 13 tracks including ten original OPM compositions [5] and two Korean cover songs. [6]
National Artist Levi Celerio also wrote Tagalog lyrics to the song during the 1950s. The song is still sung today in various communities, especially in churches both in the Philippines and abroad (usually during the end of the Holy Mass). [1] Ang Pasko ay Sumapit is in public domain as an unprotected work.
Javier coined the term "OPM" (Original Pinoy Music, Original Philippine Music, Original Pilipino Music), originally referring to the Music of the Philippines and Philippine pop songs, particularly ballads, and any musical composition created by a Filipino that became popular in the Philippines during the late '70s. The term continued to be used ...
Radio stations in The Philippines that play Original Pilipino Music. Pages in category "OPM formatted radio stations in the Philippines" The following 105 pages are in this category, out of 105 total.
Manila sound (Filipino: Tunog ng Maynila) is a music genre in the Philippines that began in the mid-1970s [1] in Metro Manila.The genre flourished and peaked in the mid to late-1970s during the Philippine martial law era and has influenced most of the modern genres in the country by being the forerunner to OPM.
Kitchie Nadal is the self-titled debut studio album by Filipino singer-songwriter Kitchie Nadal, released in the Philippines in 2004 by Warner Music and 12Stone Records. [3] [4] The album's second single, "Huwag na Huwag Mong Sasabihin", became the most-played OPM single in 2004 and later earned her numerous awards. [5]