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Sergei Prokofiev set about composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded Tcherepnin .” [ 1 ]
A concert piece (German: Konzertstück; French: pièce de concert, also morceau de concert) is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment. [1]
The concerto is in one movement, but is broken into seven distinct sections. Each tells a different part of the story of the Butterfly Lovers. Some of the melodies come from the Chinese Opera of the same name or from traditional Chinese folk songs. The solo violin of the concerto is symbolic of Zhu Yingtai, the story's protagonist, and the ...
Piano Concerto No. 1 refers to the first piano concerto published by one of a number of composers: Piano Concerto No. 1 (Bartók) (Sz. 83), by Béla Bartók; Piano Concerto No. 1 (Beethoven) (Op. 15), by Ludwig van Beethoven; Piano Concerto No. 1 (Brahms) (Op. 15), by Johannes Brahms; Piano Concerto No. 1 (Chopin) (Op. 11), by Frédéric Chopin
Violin Concerto in D minor in one movement (1875) Ned Rorem. Violin Concerto (1984) Hilding Rosenberg. Violin Concerto No. 1 (1924) Violin Concerto No. 2 (1951) Nikolai Roslavets. Violin Concerto (1925) Christopher Rouse. Violin Concerto (1991) Miklós Rózsa. Violin Concerto, Op. 24 (1956) Ludomir Różycki. Violin Concerto (1944) Edmund Rubbra
In 2016, vehicle attacks internationally represented more than half of all terrorism-related deaths that year, according to one researcher's analysis of the open-source Global Terrorism Database
The work is in only a single movement, labeled allegro. The piece has a performance time of approximately 12 minutes, garnering criticism for its short length. Critics called the work a 'concert piece' because it is barely longer than other works of that label, much to the annoyance of Saint-Saëns himself. [3]
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