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Vishnu Prabhakar (21 June 1912 – 11 April 2009) was a Hindi writer. He had several short stories, novels, plays and travelogues to his credit. Prabhakar's works have elements of patriotism, nationalism and messages of social upliftment. He was the First Sahitya Academy Award winner from Haryana. [1]
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
Rashmirathi (Rashmi: Ray of light Rathi: One who rides a chariot (not the charioteer) Rashmirathi: Rider of the chariot of light) is a Hindi epic written in 1952, by the Hindi poet Ramdhari Singh 'Dinkar'. [1] The epic poem narrates the story of Karna, who is regarded as one of main protagonists of the Hindu epic- Mahabharata.
Mannu Bhandari (3 April 1931 – 15 November 2021) was an Indian author, screenplay writer, teacher, and playwright. Primarily known for her two Hindi novels, Aap Ka Bunty (Your Bunty) and Mahabhoj (Feast), Bhandari also wrote over 150 short stories, several other novels, screenplays for television and film, and adaptations for theater.
During the 1940s, there could be witnessed a rise in communistic poetry and this inspired a movement for progressive literature in Gujarati too. Meghani, Bhogilal Gandhi, Swapnastha and others began to preach class conflict and hatred of religion through their writings. K.M. Munshi is deemed one of the most multi-talented and flexible and ...
[15] [5] The lunisolar Vikram Samvat calendar is 56.7 years ahead of the solar Gregorian calendar; the year 2082 BS begins mid-April 2025 CE, and ends mid-April 2026 CE. The Rana dynasty of Nepal made the Bikram Sambat the official Hindu calendar in 1901 CE, which began as 1958 BS . [ 19 ]
The Bhagavad Gita is presented as a dialogue between Arjuna, a prince, and Krishna, the embodiment of God. The contents of the scripture are derived from the Upanishads and discuss different paths of jnana (knowledge), karma (action) and bhakti (devotion) and how they lead to moksha (ultimate liberation) of the soul.
The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. [1] The primary note of the raga is the vadi; the vadi and samavadi are in most cases a fourth or fifth apart.