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This Is Reggae Music: The Golden Era 1960–1975 is a reggae retrospective anthology issued as a 4-CD box set in 2004 by Trojan Records. [1] [2] [3] The anthology, which was compiled by Colin Escott and Bas Hartong, is arranged in chronological order and features tracks by various artists, starting with mento and ska from the first half of the 1960s, then progressing to the slower rhythms of ...
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
Winston Foster OD, [1] [2] (1956 [3] or 15 January 1959 [4]) better known by the stage name Yellowman and also known as King Yellowman, is a Jamaican reggae and dancehall deejay.He first became popular in Jamaica in the 1980s, rising to prominence with a series of singles that established his reputation.
Nash's 1972 reggae-influenced single "I Can See Clearly Now" sold over one million copies, and was awarded a gold disc by the R.I.A.A. in November 1972. [20] " I Can See Clearly Now" reached No. 1 on the Billboard Hot 100 on November 4, 1972, and remained atop the chart for four weeks, spending the same four weeks atop the adult contemporary chart.
This is a list of notable roots reggae musicians, singers and producers. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The Heptones are a Jamaican rocksteady and reggae vocal trio most active in the 1960s and early 1970s. They were one of the more significant trios of that era, and played a major role in the gradual transition between ska and rocksteady into reggae with their three-part harmonies.
Oh Carolina" was a landmark single in the development of Jamaican modern music (ska, rocksteady and reggae) specially for the incorporation of African-influenced Niyabinghi-style drumming and chanting, and for the exposure it gave to the Rastas, who at the time were marginalised in Jamaican society.
Jimmy Cliff was born James Chambers on 30 July 1944 in Saint James, Colony of Jamaica. [4] He began writing songs while still at primary school in St. James, listening to a neighbour's sound system.
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