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[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
Hippies in Mexico, known as jipitecas, formed La Onda (the Wave) and gathered at Avándaro, while in New Zealand, nomadic housetruckers practiced alternative lifestyles and promoted sustainable energy at Nambassa. In the United Kingdom in 1970, many gathered at the gigantic third Isle of Wight Festival with a crowd of around 400,000 people. [13]
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967.As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park.
[citation needed] The idea of the Human Be-In was born of a fear that the movement would be erased due to tensions between factions of the Hippie movement. [citation needed] Bowen writes "The anti-war and free speech movement in Berkeley thought the Hippies were too disengaged and spaced out. Their influence might draw the young away from ...
Freak scene music was an eclectic mixture based around progressive rock and experimentalism. There were crossover bands bridging rock and jazz , rock and folk , rock and sci-fi ( space rock ). BBC radio presenter John Peel presented a nightly show that featured the music.
The song was a popular hit, reaching number 4 on the music chart in the United States and number 1 in the United Kingdom and most of Europe, [8] [9] and became an unofficial anthem for hippies, flower power and the flower child concept.
"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967, Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and phrased the famous words, "Turn on, tune in, drop out".
Jazz music, previously restricted to mainly poor African-Americans, broke out as the musical craze of the 1920s. In the 1920s, American jazz music and motor cars were at the centre of a European subculture which began to break the rules of social etiquette and the class system (See also Swing Kids and Flappers).