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There are many decaled patterns that are very popular including Blue Mosaic, Wheat, Primrose, Fleurette, Forget Me Not and Anniversary Rose. Patterns with solid glass colors are Swirl/Shell (1965–76), Sheaves of Wheat (Laurel 1952-63), Kimberly Diamond, Jane Ray, Alice, Fish Scale, Three Bands (1952–56) Restaurant Ware, 4000 Line and 1700 Line.
Diaper in textiles refers to richly decorated fabrics with a small geometrical or floral pattern that consists of the constant repetition of one or more simple figures or units of design evenly spaced. The term was initially associated with silk with diamond patterns later applied to linen and cotton fabrics of similar designs. [5] [6]
Upward pattern of a fire emblem, symbolized that the emperor led its people in making positive efforts Grain of rice (粉米, fěn mǐ) Symbolize nourishment and the country's agriculture, and also symbolizes that the emperor is the mainstay for the people. Axe (黼, fǔ) The Axe stands for “cut-off”; i.e. the emperor's power to act decisively
Gaudí tended to create patterns with his trencadís work, and he leaned towards brightly colored glazed ceramic shards. He often used discarded pieces of ceramic tile collected from the factory Pujol i Bausis located in Esplugues de Llobregat, as well as pieces of white ceramic from broken cups and plates discarded by other Spanish manufacturers.
“Diaper” refers to any small geometrical or floral pattern that consists of the constant repetition of one or more simple figure or units of design evenly spaced. The term was initially associated with silk with diamond patterns later applied to linen and cotton fabrics of similar designs.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.