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The lines themselves alternate in rhyme and meter in a manner that keeps the poem from having a felicitous feel to it. [2] The first four stanzas of the poem describe the emptiness of a house, while the fifth, final stanza reveals that the empty house is a metaphor for a dead body after the soul has left. [3] Life and Thought have gone away
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
The epitaph describes faith in a "trembling hope" that he cannot know while alive. [48] In describing the narrator's analysis of his surroundings, Gray employed John Locke's philosophy of the sensations, which argued that the senses were the origin of ideas. Information described in the beginning of the poem is reused by the narrator as he ...
"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. [2] This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English ...
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
In Memoriam was a favourite poem of Queen Victoria, who after the death of her husband, the Prince Consort Albert, was "soothed & pleased" by the feelings explored in Tennyson's poem. [15] In 1862 and in 1883, Queen Victoria met Tennyson to tell him she much liked his poetry.
Though first published as "The Valley Nis" in Poems by Edgar A. Poe in 1831, this poem evolved into the version "The Valley of Unrest" now anthologized. In its original version, the speaker asks if all things lovely are far away, and that the valley is part Satan , part angel , and a large part broken heart.
"Music, When Soft Voices Die" is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2] [3]