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  2. Technics SL-J2 - Wikipedia

    en.wikipedia.org/wiki/Technics_SL-J2

    The Technics SL-J2 is a quartz-controlled direct-drive fully automatic turntable system produced by Technics between 1984 and 1988. It features a linear tracking tonearm with an optical sensor that allows for the kind of track-skipping more typical of CD players. The sensor also detects the size of the record sitting on the platter (7-inch, 10 ...

  3. Technics SL-10 - Wikipedia

    en.wikipedia.org/wiki/Technics_SL-10

    The SL-10 was the first linear-tracking turntable to feature direct drive, a Technics innovation dating back to 1969 with the SP-10 Mk I. The SL-10, along with its fully programmable stablemate the SL-15, was able to penetrate the consumer electronics market much more effectively than any preceding linear-tracking turntable, and it spawned a wave of imitators throughout the 1980s, along with ...

  4. Record changer - Wikipedia

    en.wikipedia.org/wiki/Record_changer

    The name, and the improved performance, caught on and other manufacturers began producing automatic turntables with professional-grade features and performance. Most mid-priced consumer record players of the 1950s through the 1970s were equipped with changers, but they started to decline in popularity as cassettes and compact discs replaced ...

  5. Technics SL-1200 - Wikipedia

    en.wikipedia.org/wiki/Technics_SL-1200

    The Technics SL-1200 [1] is a series of direct-drive turntables manufactured from October 1972 to 2010, with production resuming in 2016, by Matsushita Electric (now Panasonic Corporation) under the brand name of Technics.

  6. 40 of the very best gifts for new dads (that aren't for the baby)

    www.aol.com/lifestyle/best-gifts-for-new-dads...

    This vintage-inspired radio from Victrola — one of the leading turntable manufacturers of the early 1900s — is Bluetooth compatible, giving him the best of what’s new and old. Use one dial ...

  7. Linn Sondek LP12 - Wikipedia

    en.wikipedia.org/wiki/Linn_Sondek_LP12

    Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]

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