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The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. [8] The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica ...
Chimera of Arezzo": an Etruscan bronze According to Hesiod , the Chimera's mother was a certain ambiguous "she", which may refer to Echidna, in which case the father would presumably be Typhon , though possibly (unlikely) the Hydra or even Ceto was meant instead. [ 4 ]
the bronze Chimera of Arezzo, dated 400 BC, at the National Archaeological Museum in Florence; The Mars of Todi, a bronze sculpture from 400 BC in the Museo Etrusco Gregoriano of the Vatican; The Sarcophagus of Seianti Hanunia Tlesnasa, 150–140 BC, a masterpiece of Etruscan art in terracotta, now at the British Museum
The Orator, also known as L'Arringatore (), Aule Meteli or Aulus Metellus (), is an Etruscan bronze sculpture from the late second or the early first century BC. [1] Aulus Metellus was an Etruscan senator in the Roman republic, originally from Perugia or Cortona. [2]
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs , and small statuettes and figurines , as well as bronze elements to be fitted to other objects such as furniture.
He traveled in Egypt and Turkey, and was commissioned by the city of Alexandria, Egypt, to create a colossal statue of Muhammad Ali of Egypt. He sculpted in large, medium and small scale. Many of his works were cast in bronze by the Val d' Osne foundry and some by the silversmith Christofle . [ 4 ]
Along with guardian figures and officials, statues of horses are the main type of tomb figure that is also known in other media, such as gilt-bronze or stone, and some rich tombs also contain such figures in metal. [57] The camels may sometimes belong to tombs of people rich from trade, [58] but also seem to have been associated with wealth ...
The meaning and use of the grotesque is also changing in architecture. Aside from the sculpture, for instance, the term has been used to describe the search for the abnormal or the representation of caricature. [6] There are also scholars who use the architectural definition of grotesque as a term for disharmony. [7]