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The mimic first appeared for second edition Advanced Dungeons & Dragons in the second volume of the Monstrous Compendium series (1989). In this set, the creature is described as magically-created, and usually appears in the form of a treasure chest, although its natural color is a speckled grey that resembles granite.
In Batesian mimicry, the mimic resembles the model, but does not have the attribute that makes it unprofitable to predators (e.g., unpalatability, or the ability to sting). In other words, a Batesian mimic is a sheep in wolf's clothing. Mimics are less likely to be found out (for example by predators) when in low proportion to their model.
Mimic is a 1997 American science fiction horror film directed by Guillermo del Toro, written by del Toro and Matthew Robbins, and based on Donald A. Wollheim's short story of the same name. The film stars Mira Sorvino , Jeremy Northam , Josh Brolin , F. Murray Abraham , and Charles S. Dutton .
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
The Mimic, the main antagonist in the Ruin extension of the video game Five Nights at Freddy's: Security Breach and title of the derivative third short story in Five Nights at Freddy's: Tales from the Pizzaplex #6 Nexie; The Mimic, a ghost type in the game Phasmophobia which is able to switch its attributes to resemble any other ghost in the roster
The predatory species mediating indirect interactions between the mimic and the model is variously known as the [signal] receiver, dupe or operator. By parasitising the honest warning signal of the model, the Batesian mimic gains an advantage, without having to go to the expense of arming itself. The model, on the other hand, is disadvantaged ...
A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), [1] is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art.
The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923–2015).