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Feng (mythology), an edible monster that resembles a two-eyed lump of meat and magically grows back as fast as it is eaten. Fenghuang, Chinese phoenix; Fenghuang. Feilian, god of the wind who is a winged dragon with the head of a deer and tail of a snake. Feilong, winged legendary creature that flies among clouds. Fish in Chinese mythology ...
The Chinese classic Book of Rites mentions the Vermillion Bird, Black Tortoise (Dark Warrior), Azure Dragon, and White Tiger as heraldic animals on war flags; [3] they were the names of asterisms associated with the four cardinal directions: South, North, East, and West, respectively.
The Four Holy Beasts (四靈、四聖獸、or 四大神獸) are Chinese astronomical and cultural Four Benevolent Animals that are spread in the East Asian cultural sphere. They are mentioned in the Chinese classic Book of Rites [ 1 ] and includes the Dragon (龍) in the East, the Qilin (麟) in the West, the Turtle (龜) in the North, and the ...
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
Chinese folklore contains many symbolic folk meanings for the objects and animals within the folktales. One example of this is the symbolic meaning behind frogs and toads. Toads are named Ch'an Chu (蟾蜍) in Chinese, a folklore about Ch'an Chu illustrates the toad imports the implication of eternal life and perpetual. Chinese folklore unfolds ...
The pink scallop can be distinguished from its close relative the spiny scallop (Chlamys hastata) by the valves being rather more rounded and by the lack of spines on the ribs which gives it a smooth texture. The glossy white interior of the shell does not have the purplish markings that are sometimes present in the spiny scallop.
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...