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Luis de Mena, Virgin of Guadalupe and castas, 1750 Gallery formerly arranged to recall the Cabinet of Natural History that preceded the museum, with Mena's painting. His most famous painting is in the Museo de América in Madrid, which as of May 2024 is no longer on view. It is much reproduced as an exemplar of the casta painting genre.
Casta painting showing 16 hierarchically arranged, mixed-race groupings, with indios mecos set outside of the orderly set of "civilized" society. Ignacio Maria Barreda, 1777. Real Academia Española de la Lengua, Madrid. Luis de Mena, Virgin of Guadalupe and castas, 1750. Another single-canvas casta painting with similarities to Barreda's.
Luis de Mena, Virgin of Guadalupe and castas, 1750. Museo de América, Madrid Casta painting showing 16 hierarchically arranged, mixed-race groupings, with indios mecos set outside of the orderly set of "civilized" society. Ignacio Maria Barreda, 1777. Real Academia Española de la Lengua, Madrid Spanish father and Albina mother, Torna atrás.
Luis de Mena, Virgin of Guadalupe and castas, 1750, a frequently reproduced painting, uniquely uniting the image Virgin and a depiction of the casta system. Nuestra Señora de Guadalupe became a recognized symbol of Catholic Mexicans.
Some were likely commissioned by Spanish functionaries as souvenirs of Mexico. A number of artists of the era created casta paintings, including Miguel Cabrera, José de Ibarra, Juan Patricio Morlete Ruiz, Francisco Clapera, and Luis de Mena, but most casta paintings are unsigned.
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
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