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  2. Quartz crisis - Wikipedia

    en.wikipedia.org/wiki/Quartz_crisis

    Quartz movement of the Seiko Astron, 1969. The quartz crisis (Swiss) or quartz revolution (America, Japan and other countries) was the advancement in the watchmaking industry caused by the advent of quartz watches in the 1970s and early 1980s, that largely replaced mechanical watches around the world.

  3. Small but significant and non-transitory increase in price

    en.wikipedia.org/wiki/Small_but_significant_and...

    In 1982 the U.S. Department of Justice Merger Guidelines introduced the SSNIP test as a new method for defining markets and for measuring market power directly. In the EU it was used for the first time in the Nestlé/Perrier case in 1992 and has been officially recognized by the European Commission in its "Commission's Notice for the Definition of the Relevant Market" in 1997.

  4. Tissot - Wikipedia

    en.wikipedia.org/wiki/Tissot

    Tissot was founded in 1853 by Charles-Félicien Tissot and his son Charles-Émile Tissot in the Swiss city of Le Locle, in the Neuchâtel canton of the Jura Mountains area. [2] The father and son team worked as a casemaker (Charles-Félicien Tissot) and watchmaker (Charles-Emile). His son having expressed an interest in watchmaking from a young ...

  5. Tissot's indicatrix - Wikipedia

    en.wikipedia.org/wiki/Tissot's_indicatrix

    The Behrmann projection with Tissot's indicatrices The Mercator projection with Tissot's indicatrices. In cartography, a Tissot's indicatrix (Tissot indicatrix, Tissot's ellipse, Tissot ellipse, ellipse of distortion) (plural: "Tissot's indicatrices") is a mathematical contrivance presented by French mathematician Nicolas Auguste Tissot in 1859 and 1871 in order to characterize local ...

  6. The Shop Girl (Tissot) - Wikipedia

    en.wikipedia.org/wiki/The_Shop_Girl_(Tissot)

    The painting was created in the period 1883–1885 using Tissot's distinctive style of dry pigments and small brush strokes—not impressionism, but still a major departure from the Academy style. It also reflects some of Tissot's main interests, such as the materialistic world of objects and clothing of the late nineteenth century. [ 1 ]

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