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La Philosophie aujourd'hui; La philosophie de l'art; Goethe; Les chemins du labyrinthe; Qu'est-Ce Que Le Beau; Goethe, science et philosophie; Le "Voyage en Italie" de Goethe; La philosophie au XXème siècle. Introduction à la pensée. philosophique. contemporaine. Essai et textes, Paris, Hatier, 1988
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L'or des images : art, monnaie, capital (in French), La Dispute, Paris, 2015; Communisme et stratégie (in French), Amsterdam, Paris, 2019; Avec Marx, philosophie et politique (in French), interviews directed by Alexis Cukier and Isabelle Garo with Alain Badiou, Etienne Balibar, Jacques Bidet, Michael Löwy and Lucien Sève, La Dispute, Paris, 2019
File:Cover art for the book More Than Two.png; File:Cover image of The Critical Legal Studies Movement.png; File:Cover image of The Religion of the Future.png; File:Cover of Illusion and Realtity 1937.jpg; File:Cover of The Bounds of Sense.jpg; File:Cover of the first English edition of Sartre, Romantic Rationalist.jpg; File:COVER-Conser-et-al ...
In the second volume of its Corpus of Rembrandt Paintings, which covers the years 1631–1634, the Rembrandt Research Project (RRP) rejected the attribution to Rembrandt of the Philosopher in Meditation. Until then, and except for the "heretical" John C. Van Dyke, this attribution had been unanimously accepted by experts and art historians.
What is Philosophy? (French: Qu'est-ce que la philosophie ?) is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari.The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia (Volume 1: Anti-Oedipus (1972); Volume 2: A Thousand Plateaus 1980) and Kafka: Towards a Minority Literature (1975).
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Groupe de Recherche d'Art Visuel (GRAV) (Research Group for Visual Art) was a collaborative artists group in Paris [1] that consisted of eleven opto-kinetic artists, like François Morellet, Julio Le Parc, Francisco Sobrino, Horacio Garcia Rossi [Wikidata], Yvaral, Joël Stein [Wikidata] and Vera Molnár, who picked up on Victor Vasarely's concept that the sole artist was outdated and which ...