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The Arte della Lana exercised its patronage over the Opera del Duomo, entrusted to it directly by the Signoria in 1331. The patron saint chosen by the guild was Santo Stefano. The guild commissioned a statue of the saint from Lorenzo Ghiberti (1427–1428) placed in the tabernacle on the facade of Orsanmichele (today a copy).
The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...
The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama.
Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to lead the Republic of Florence and run the Medici Bank simultaneously. As one of the wealthiest men in Europe, the elder Cosimo spent a very large portion of his fortune on government and philanthropy, for example as a patron of the arts and financier of public works. [7]
Giovanni di Paolo was an important patron of the arts, matched only by Cosimo de' Medici in fifteenth-century Florence. [4]: 105 He commissioned the building of the Palazzo Rucellai, designed by Leon Battista Alberti, and of the Loggia Rucellai. [1]
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Brucker, Gene A. Renaissance Florence (2nd ed. 1983) Cochrane, Eric. Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand Dukes (1976) Crum, Roger J. and John T. Paoletti. Renaissance Florence: A Social History (2008) excerpt and text search; Goldthwaite, Richard A.
Cosimo's fervent patronage transformed Florence into the epitome of a Renaissance city. He employed Donatello, Brunelleschi, and Michelozzo. All these artistic commissions cost Cosimo over 600,000 florins. [27]