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  2. File:Lisbon, museum Nacional de Arte Antiga, monstrance.JPG

    en.wikipedia.org/wiki/File:Lisbon,_museum_Nac...

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  3. File:HoldingMonstrance.jpg - Wikipedia

    en.wikipedia.org/wiki/File:HoldingMonstrance.jpg

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  4. Monstrance - Wikipedia

    en.wikipedia.org/wiki/Monstrance

    A monstrance, also known as an ostensorium (or an ostensory), [1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament.

  5. File:Toledo monstrance.jpg - Wikipedia

    en.wikipedia.org/wiki/File:Toledo_monstrance.jpg

    You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.

  6. File:Two Monstrance.JPG - Wikipedia

    en.wikipedia.org/wiki/File:Two_Monstrance.JPG

    This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file.

  7. Category:Monstrances - Wikipedia

    en.wikipedia.org/wiki/Category:Monstrances

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  8. La Lechuga - Wikipedia

    en.wikipedia.org/wiki/La_Lechuga

    It is widely believed that a group of Jesuits ordered La Lechuga to be produced in order to hide the gemstones contained in it from Spanish Crown. The Jesuits contracted the Spaniard José de Galaz who made the monstrance, with the help of two other goldsmiths, between 1700 and 1707 for a fee of $1,100 Reales (equivalent to $100,000 USD in 1996 ...

  9. Belém Monstrance - Wikipedia

    en.wikipedia.org/wiki/Belém_Monstrance

    The Belém Monstrance (Portuguese: Custódia de Belém) is a significant monstrance made of gold and polychrome enamels. It is probably the most famous work by a Portuguese goldsmith, and is much-admired for its historical importance and artistic merit. [ 1 ]