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The LiederNet Archive (formerly The Lied, Art Song, and Choral Texts Archive) is a donation-supported web archive of art song and choral texts [1] founded in 1995 [2] by Emily Ezust, an American/Canadian computer programmer and amateur violinist. The website was hosted by the REC Music Foundation from 1996 to 2015.
The Festival was founded in 2002 by the pianist Sholto Kynoch, [1] and in a short space of time grew to be the United Kingdom's largest art song festival. [2] Oxford Lieder is now a registered charity and in addition to the annual festival which takes place in October, [3] there are regular concerts and masterclasses throughout the year, and a growing programme of educational events.
Lieder line by line (subtitled Lieder line by line and word for word) is a book by Lois Phillips, a professor of song at the Royal Academy of Music. The book gives the full texts of most of the important lieder by Beethoven, Schubert, Schumann, Wagner, Brahms, Wolf, Mahler and Strauss. Under each line of the original German is a literal word-by ...
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
Liederkreis, Op. 24, is a song cycle for voice and piano composed by Robert Schumann on nine poems by Heinrich Heine.The cycle was composed and published in 1840. This song cycle was one of the earlier products of Schumann’s Liederjahr (Year of Song), referring to his nearly exclusive devotion to song composition from 1840-1841, immediately after his marriage to Clara Wieck.
The text for Canticle I was taken from A Divine Rapture by Quarles, a paraphrase of sections from the Song of Songs from the Old Testament. It arrives several times at the refrain line "I my best beloved’s am – so he is mine". [4] As already the original biblical poetry, it is "full of beautiful, sensuous imagery". [4]
Eichendorff-Lieder (1889), to texts by Joseph Freiherr von Eichendorff; Goethe-Lieder (wr. from 1875, publ. 1889), 51 songs to texts by Goethe; Dem Vaterland (1890), to a text by Robert Reinick; Spanisches Liederbuch, to texts by Paul Heyse and Emanuel Geibel (1891) Italienisches Liederbuch, to texts by Paul Heyse (1892, 1896)
The songs were first published as a collection in their versions for piano accompaniment in 1905, and later re-published, in full score, along with the Der Knaben Wunderhorn settings of "Revelge" and "Der Tamboursg’sell" in Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) in 1910.