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The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey. The B-15 and its subsequent variants went on to become the most-recorded bass amplifier in history. [5] [6] By 1963, the Portaflex series business had grown to 44% of Ampeg's amplifier ...
Guitar Rig was first released on both macOS & Windows in September 2004. At this time, it was a hardware/software hybrid system, with the Rig Kontrol hardware preamp and foot controller feeding into the software. The software featured a drag-and-drop interface and a selection of 3 tube amplifier emulations (some with multiple preamp variations ...
Kustom 200 B-4 amplifier in black Naugahyde, purchased new in 1972. Kustom 200 Bass Amplifier, 100 watts RMS, two 15" speakers, cascade sparkle, 1971. Kustom Amplification or Kustom Electronics is a manufacturer of guitar and bass amplifiers and PA equipment and accessories.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog, [citation needed] "tuned like the first four guitar strings but one octave lower. " Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
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The bass pattern is an arpeggiation in the sense that its middle note (V) first arises as the fifth of the elaborated chord (I), of which it is the upper-fifth divider. [3] It is only when it meets with the passing note of the fundamental line that V becomes an independent chord within the first one. [ 4 ]