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Most of early American art (from the late 18th century through the early 19th century) consists of history painting and especially portraits. As in Colonial America, many of the painters who specialized in portraits were essentially self-taught; notable among them are Joseph Badger, John Brewster Jr., and William Jennys.
The oldest known paintings in the South America are the cave paintings of Caverna da Pedra Pintada, in the Brazilian Amazon rainforest that date back 11,200 years. [1] The earliest known painting in North America is the Cooper Bison Skull found near Fort Supply, Oklahoma, dated to 10,200 BCE. [2]
John Singleton Copley / ˈ k ɑː p l i / RA (July 3, 1738 [1] – September 9, 1815) was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish.
Edward Hicks Painting the Peaceable Kingdom by Thomas Hicks, depicting Edward Hicks painting one of his most noted artworks. [3]In colonial America, folk art grew out of artisanal craftsmanship in communities that allowed commonly trained people to individually express themselves, distinct from the high art tradition that dominated Europe, which was less accessible and generally less relevant ...
John White (c. 1539 –c. 1593) was an English colonial governor, explorer, artist, and cartographer. White was among those who sailed with Richard Grenville in the first attempt to colonize Roanoke Island in 1585, acting as artist and mapmaker to the expedition.
The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley.It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement.
The canvas is signed, an unusual feature in a painting of this period in the viceregal environment. The majority of works are anonymous, and as far as we know the work’s mestizo painter never signed any other of his paintings. Apparently, the fact that it was a commission for the king of Spain was a unique opportunity to assert himself. [7]
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