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Design of a cloth antimacassar Armchair with antimacassar-Sheffield Mayors Parlour Antimacassars on rail carriage seats. An antimacassar / ˌ æ n t ɪ m ə ˈ k æ s ər / is a small cloth placed over the backs or arms of chairs, or the head or cushions of a sofa, to prevent soiling of the permanent fabric underneath. [1]
Pattens were worn during the Middle Ages outdoors, and in public places, over (outside of) the thin soled shoes of that era. Pattens were worn by both men and women during the Middle Ages, and are especially seen in art from the 15th century; a time when poulaines—shoes with very long, pointed toes—were particularly in fashion.
Extra plate that covers the front of the shoulder and the armpit, worn over top of a pauldron. Rerebrace or brassart or upper cannon (of vambrace) Plate that covers the section of upper arm from elbow to area covered by shoulder armour. Besagew: Circular plate that covers the armpit, typically worn with spaulders. See also rondel.
Sabatons of the late 15th and early 16th century followed the duckbill shoes of the time, ending at the tip of the toe but often extending greatly wider. The sabatons were the first piece of armour to be put on, and were made of riveted iron plates called lames. These plates generally covered only the top of the foot.
In time made from rubber they gained the names rubbers, rubber boots, and gumshoes (from gum rubber, a term also applied to rubber-soled "street" shoes, crepe-soled shoes and boots, and sneakers). Today flexible plastics such as PVC are often used.
Less often, Orderic Vitalis's terms of opprobrium are reworked into names: scorpion's tail or ram's horn shoe. [10] The name pigache is also sometimes also applied to earlier pointed Byzantine footwear from as early as the 5th century. [11] It is also simply glossed as a pointed-toe shoe [12] and sometimes conflated with the later poulaine.
A version of this style of shoe became popular with World War II soldiers in North Africa, who adopted suede boots with hard-wearing crepe rubber. [1] Writing in The Observer in 1991, John Ayto put the origin of the name 'brothel creeper' to the wartime years. [2]
They were the most common footwear worn by both urban and rural Greeks, mainly men, but also many women. After the Greek independence in early 19th century, their use was limited to isolated rural areas and nomadic populations, seen by westernised urbanites as a sign of uncouthness and backwardness.
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