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The heike shamisen compared with a medium-sized, or chuzao shamisen Plectrums for a minyo and heike shamisen. The heike shamisen (Japanese: 平家三味線), is a Japanese musical instrument, member of the shamisen family. Like its other counterparts, the heike shamisen has three strings, a slender neck, a body taut with skin, and it is plucked ...
A single drummer alternates between the two drums and the taru barrel in his or her ensemble, in intricate drumming techniques. Heike Ondo is accompanied by a kind of shamisen called the Heike Shamisen, which has a shorter neck than most shamisens in Japan, and thus, a higher range. The narrative is quite long and is rarely ever sung in its ...
The heike shamisen (平家) is a shamisen particularly fashioned for the performance of the song Heike Ondo, a folk tune originating from Shimonoseki, Yamaguchi Prefecture. The neck of the heike shamisen is about half the length of most shamisen, giving the instrument the high range needed to play Heike Ondo.
Bandstand: The New American Musical (or simply Bandstand) is an original musical composed by Richard Oberacker with book and lyrics by Oberacker and Robert Taylor. [1]The first musical certified by the organization Got Your 6 tells the story of a group of veterans returning home to the United States after World War II.
[6] The German magazine Musikexpress ranked "A House Is Not a Motel" number 429 in its list of the 700 best songs of all time. [7] Uncut listed the song as one of its 50 essential songs from the Summer of Love. [8] The Spanish magazine Hipersonica ranked the song 23rd best of the 1950s and 1960s. [9]
69 Love Songs is the sixth studio album by American indie pop band the Magnetic Fields, released on September 14, 1999, by Merge Records. As its title indicates, 69 Love Songs is a three-volume concept album composed of 69 love songs , all written by Magnetic Fields frontman Stephin Merritt .
Robert Taylor's song "Magic" was also released as a single from the album, Taylor's third single A-side with the group after the much earlier "Education" (1975) and "Wait Until Tomorrow" (1976). [3] At the 1984 Countdown Music Awards, Body and the Beat was nominated for Best Australian Album. [4] [5]
uDiscoverMusic also commented on the song positively, writing that the song's opening four-part fugue remains one of Gentle Giant's and the progressive rock genre's defining moments. [ 5 ] Paul Stump in the 2005 book Acquiring the Taste wrote that the song was an example of the band's "mastery of writing and performing intensly complex ...