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Ovid raises its significance explicitly in the opening lines of the poem: In nova fert animus mutatas dicere formas / corpora; ("I intend to speak of forms changed into new entities;"). [24] Accompanying this theme is often violence, inflicted upon a victim whose transformation becomes part of the natural landscape. [ 25 ]
Book 3 has 14 poems focusing on Ovid's life in Tomis. The opening poem describes his book's arrival in Rome to find Ovid's works banned. Poems 10, 12, and 13 focus on the seasons spent in Tomis, 9 on the origins of the place, and 2, 3, and 11 his emotional distress and longing for home. The final poem is again an apology for his work.
In 2002, author Mary Zimmerman adapted some of Ovid's myths into a play by the same title, and the open-air-theatre group London Bubble also adapted it in 2006. Naomi Iizuka's Polaroid Stories bases its format on Metamorphoses, adapting Ovid's poem to modern times with drug-addicted, teenage versions of many of the characters from the original ...
Jean de la Fontaine's poem follows Ovid closely. John Dryden translated Ovid's poem in 1693. Jonathan Swift wrote a poem on the subject of Baucis and Philemon in 1709. Joseph Haydn wrote a marionette opera Philemon und Baucis, oder Jupiters Reise auf die Erde in 1773. Baucis and Philemon are characters in the fifth act of Goethe's Faust II (1832).
"Like tears in rain" (Blade Runner 1982)Rutger Hauer, playing the dying replicant Roy Batty, added this line to the script only hours before getting in front of the camera.
In his longer narrative sections, Ovid makes use of tragedy, epic poetry, elegy, and Hellenistic mythological poems. For some episodes, the sources Ovid used are untraceable. On the Roman side, Ovid particularly focuses on and employs Virgil's Aeneid and Eclogues, most notably in the long section on Anna in Book 3. As in the Metamorphoses, Ovid ...
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For example, in Hall's 1995 Teubner edition, poems 1.5, 1.9, 3.4, 4.4, 5.2 and 5.7 are each split into two separate poems, which in most manuscripts each appear to be a single poem. [5] Taking this division into account, book 1 has 13 poems, book 3 has 15, book 4 has 11, book 5 has 16. Book 2, as noted above, is one single poem.