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The Kick Inside was released in the UK on 17 February 1978. [11] In November 2018, Bush released box sets of remasters of her studio albums, including The Kick Inside. Seven different versions of the album's cover are known: [12] Standard UK cover (Bush holding on to a large Chinese styled kite superimposed on to a drawing of a human eye)
The video and CD contain twelve songs recorded live at the Hammersmith Odeon on 13 May 1979, consisting mainly of songs from The Kick Inside and Lionheart with a new song "Violin"; which would subsequently appear on Bush's third studio album Never for Ever in 1980.
The Kick Inside was released when Bush was 19, with some songs written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush, who already had a reputation for asserting herself in decisions about her work, insisted that it should be " Wuthering Heights ". [ 19 ]
Soon after the release of The Kick Inside, Bush performed "Moving" alongside "Them Heavy People" on 25 February 1978 on the BBC's show Saturday Nights at the Mill. [12] On 12 May, she took part in a Dutch special TV show dedicated to the opening of the Haunted Castle, the new attraction of the amusement park Efteling. She performed six songs in ...
Lionel Messi scored two goals to excite a New England Revolution-record crowd, leading Inter Miami CF to a 4-1 victory on Saturday night. Messi didn’t disappoint the crowd of 65,612 that filled ...
"Kite" is the fourth track from Kate Bush's 1978 album, The Kick Inside. It was also the B-side to her first single, "Wuthering Heights", released on 20 January 1978. The verses feature a reggae style.
My husband is by no means a macho meathead kind of guy, but he does love chicken wings. He can’t bring himself to go so far as visiting Buffalo Wild Wings or Wing Stop on a regular basis, but if ...
Sporting a poisoned-fortune-cookie title like “If I Had Legs I’d Kick You,” there can be little question as to which category best describes Mary Bronstein’s stress-fueled second feature.
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