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Harry Woods, who practised songwriting only as a sideline, wrote numerous 1920s standards, including "When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)", "I'm Looking Over a Four Leaf Clover", and "Try a Little Tenderness". He composed his songs on piano, despite the fact that he was born without fingers on his left hand. [2]
In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a suspended chord on the open strings. A well known user of modal tunings is Sonic Youth. Asus2: E-A-B-E-A-E
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
The same year, "Paddlin' Madelin Home" was published, with words and music by Woods. With Mort Dixon and Billy Rose, Woods composed "I Wish't I Was in Peoria", now a Dixieland jazz standard, in 1925. By 1926, Woods was an established songwriter on Tin Pan Alley and would become legendary with his new song " When the Red, Red Robin (Comes Bob ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Strange to Explain is the eleventh studio album by American folk rock band Woods. It was released on May 22, 2020, under Woodsist. [11] ...
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"Strange Magic" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It was originally released on their 1975 Face the Music album. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter.