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"The Saga Begins" is a parody song by "Weird Al" Yankovic. It parodies "American Pie" by Don McLean, with lyrics that humorously summarize the plot of the film Star Wars: Episode I – The Phantom Menace through the point of view of Obi-Wan Kenobi, one of the film's protagonists.
The Official Music of "Weird Al" Yankovic: Al Hits Tokyo (1984) "Weird Al" Yankovic's Greatest Hits (1988) The Best of Yankovic (1992) The Food Album (1993) Permanent Record: Al in the Box (1994) Greatest Hits Volume II (1994) The TV Album (1995) The Best of "Weird Al" Yankovic (1999) The Saga Begins (2000) The Essential "Weird Al" Yankovic (2009)
The documentary features interviews and insights from celebrity fans, including musician Weird Al Yankovic, director Kevin Smith and actor Seth Green. New documentary unravels origins of bizarre ...
"Weird Al" Yankovic in 3-D followed in February 1984. It peaked at number 17 on the Billboard 200 and was certified platinum by the RIAA, [ 5 ] [ 7 ] while also charting in Australia and Canada. [ 9 ] [ 10 ] The album's lead single " Eat It " was a commercial success, topping the Australian singles chart and also reaching the top 15 in Canada ...
The song, “Yoda” was a parody of The Kinks’ song “Lola” Al eventually released in 1985 after a long struggle to get permission both from Lucas and The Kinks to do the parody The song ...
"Yoda" is a song by "Weird Al" Yankovic from his third album, Dare to Be Stupid (1985). It is a parody of the song "Lola" by the Kinks.Inspired by the events of the movie The Empire Strikes Back, the song is told from the point of view of Jedi-in-training Luke Skywalker and concerns his dealings with Master Yoda on the planet Dagobah.
“Weird Al” Yankovic is back with “Polkamania!,” his first new song since 2022’s “Now You Know.” It’s a four-minute medley, featuring 12 pop hits from the past decade, ranging from ...
Thus, the song is an excruciatingly detailed narrative about a couple going to a drive-thru, which was "the most banal thing [Yankovic] could think of at the time." [4] [11] Because the song was three times the length of a normal song, legally, Yankovic would have been required to pay thrice the statutory rate for royalties. This in turn would ...