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The Triton Extreme added in-track sampling support, [6] allowing stereo samples to be recorded in context with a MIDI sequence and automatic triggering of the samples at their proper locations in the sequence during playback. The Triton Classic has since been re-released by Korg as a software synth (both standalone and VST), for use in digital ...
Korg Triton Extreme: The successor to the Triton, which added "Valve Force" circuitry, a real vacuum tube circuit. Nicknamed "Russian Bullet," these tubes are rumored to last a minimum of 10 years. The Triton Extreme also featured a dramatically increased ROM size: 160 MB, featuring 32 MB of all new acoustic samples.
The Korg Collection (initially launched as the Korg Legacy Collection in 2004) is a suite of virtual instruments and effects that emulate Korg's various hardware synthesizers. The original release included virtual versions of the MS-20 , Polysix and Wavestation . [ 1 ]
The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme.Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.
It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards.
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The Z1's MOSS engine was subsequently integrated into plugin expansion boards for Korg's workstation synthesizers, including the MOSS-TRI (1998) for Korg Trinity V3, and EXB-MOSS (1999) for Korg Triton "Classic", Triton-Rack, Karma, Triton Studio, and Triton Extreme, enabling identical synthesis capabilities, but with changes to polyphony ...
The Korg KARMA music workstation was released in 2001 as a specialised member of the Korg Triton family. KARMA stands for Kay's Algorithmic Real-time Music Architecture. [5] [6] The unit features up to 62 note polyphony [7] and is 16-part multitimbral. Its sound engine is based on the Korg Triton workstation, [8] although it has fewer features. [9]