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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
Download as PDF; Printable version; ... Rumba flamenca (1 C, 5 P) Pages in category "Flamenco styles" The following 29 pages are in this category, out of 29 total. ...
In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Flamenco Guitar Step by Step - La Alegría - Acompañamiento al cante. Volume 9 He was awarded the first prize at the Bordón Minero (Festival de La Union, Murcia ) and the Premio Nacional de Guitarra Flamenca in Jerez de la Frontera , Cádiz .
When these palos are played in the guitar, either as accompaniment or as solo, they are known as toques libres, meaning free guitar playing.The guitar accompaniment used for most of this palos (when they are accompanied) consists in short musical phrases leading to a chord that the singer has previously reached at the end of a line of verse.
A tap, it can refer to a particular footstep by the dancer or a tap on the guitar, but it can also just refer to any tap (i.e. tapping the table in compás) alboreá the Gypsy wedding song sung in the soleá compás alegrías festive compás of the cantiñas group; one of the cantes chicos alzapúa guitar-playing technique that uses solely the ...