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The Apple Lossless Encoder (and decoder) were released as open source software under the Apache License version 2.0 on October 27, 2011. [10] [11] [12] On May 17, 2021, Apple announced that they would begin offering lossless audio in Apple Music in June 2021, with all lossless music being encoded using ALAC. [13]
MPEG-4 SLS, or MPEG-4 Scalable to Lossless as per ISO/IEC 14496-3:2005/Amd 3:2006 (Scalable Lossless Coding), [1] is an extension to the MPEG-4 Part 3 (MPEG-4 Audio) standard to allow lossless audio compression scalable to lossy MPEG-4 General Audio coding methods (e.g., variations of AAC).
Lagarith – Video codec designed for strong lossless compression in RGB(A) colorspace (similar to ZIP/RAR/etc.) libtheora – A reference implementation of the Theora format, based on VP3, part of the Ogg Project; Dirac as dirac-research, a wavelet based codec created by the BBC Research, and Schrödinger, an implementation developed by David ...
ATRAC Advanced Lossless is a "scalable" lossless audio codec that records a lossy ATRAC3 or ATRAC3plus stream, and supplements it with a stream of correction information stored within the file itself that allows the original signal to be reproduced, if desired. A player/decoder can extract and use just the ATRAC3 or ATRAC3plus data, or it can ...
Lossless compression is a class of data compression that allows the original data to be perfectly reconstructed from the compressed data with no loss of information. Lossless compression is possible because most real-world data exhibits statistical redundancy . [ 1 ]
FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
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