Search results
Results from the WOW.Com Content Network
Some art movements though, are labeled "anti-art". The Dada movement is generally considered the first anti-art movement; the term anti-art itself is said to have been coined by Dadaist Marcel Duchamp around 1914, and his readymades have been cited as early examples of anti-art objects. [15]
NO!art is a radical avant-garde anti-art movement started in New York in 1959. Its founders sought to deliver a shock to the complacent consumerist society around them. [1]The movement was initiated by Boris Lurie, Sam Goodman and Stanley Fisher who had come together to organise exhibitions at the March Gallery.
The Incoherents (Les Arts incohérents) was a short-lived French art movement founded by Parisian writer and publisher Jules Lévy [] (1857–1935) in 1882, which in its satirical irreverence, anticipated many of the art techniques and attitudes later associated with the avant-garde and anti-art movements such as Dada.
Stuckism (/ ˈ s t ʌ k ɪ z əm /) is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art. [2] [3] By May 2017, the initial group of 13 British artists had expanded to 236 groups in 52 countries.
Fluxus is similar in spirit to the earlier art movement of Dada, emphasizing the concept of anti-art and taking jabs at the seriousness of modern art. [127] Fluxus artists used their minimal performances to highlight their perceived connections between everyday objects and art, similarly to Duchamp in pieces such as Fountain. [127]
The Antagonist Art Movement was a cultural movement formed in New York City in 2000. [1] [2] The group grew out of desperation and in reaction to the New York art market. The movement primarily involves visual arts, literature, film, art manifestos and graphic design. The Antagonist Art Movement articulates its anti-commercial politics through ...
For premium support please call: 800-290-4726 more ways to reach us
Degenerate Art also was the title of a 1937 exhibition held by the Nazis in Munich, consisting of 650 modernist artworks that the Nazis had taken from museums, that were poorly hung alongside graffiti and text labels mocking the art and the artists. [1]