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The Lost Chords is a live album by American composer, bandleader and keyboardist Carla Bley with Andy Sheppard, Steve Swallow, and Billy Drummond recorded in Europe in 2003 and released on the Watt/ECM label in 2004.
The song, in the key of A major, is played in swing time. According to Sting, the song was written on the piano, and contains a flattened fifth in the song's intro, [a] which he says was banned in the churches due to its dissonant sound: It starts off with a flattened fifth. A flat five is an interesting chord because it was banned by the church.
"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
In 2002, Stuart Townend, the lyricist of the song, recorded it on his own album Lord of Every Heart [5] By 2005, it had been named by a BBC Songs of Praise survey as the ninth best-loved hymn of all time in the UK and then third in the same poll by the show in 2019; [6] By 2006, it rose to the No. 1 position on the United Kingdom CCLI ...
The only thing less likely than Thunderclap Newman, the strange band masterminded by Pete Townshend in 1969, having a No. 1 single is the notion that a 400-plus page history of them would be ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Jane’s Addiction playing Stanhope, New Jersey in 1991. From left, Dave Navarro on electric guitar, a Greek goddess on fruit, Eric Avery on bass guitar, and singer Perry Farrell on mouth.
Here's Patsy Cline contains ten tracks Patsy Cline had recorded at Four Star Records between May 23, 1957, and January 27, 1960. Included on the first side of the recorded is an alternate version of "Yes, I Understand," as the original version had included Cline singing harmony on her lead vocals.
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