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Catharsis is from the Ancient Greek word κάθαρσις, katharsis, meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration.
The Tragedy of Great Power Politics [1] is a book by the American scholar John Mearsheimer on the subject of international relations theory published by W.W. Norton & Company in 2001. Mearsheimer explains and argues for his theory of " offensive realism " by stating its key assumptions, evolution from early realist theory , and its predictive ...
In this work he argued against the view of tragedy as having arisen from religious ritual. Else wrote several other works on Greek literature and philosophy. Up to Else's time, Aristotle's concept of catharsis was almost exclusively associated with the reading of Jakob Bernays who defined it as the "therapeutic purgation of pity and fear."
“The show puts you through a catharsis,” Enscoe concedes. “When people come out afterward, it’s like they’ve just had a religious experience. And that’s how it feels for us on stage ...
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
For instance, Aristotle stated that Tragedy is an imitation, "not of persons but of action and life, of happiness and misery." [5] An aspect Aristotle had developed was his theory of catharsis, an aspect that Plato has rejected. [5] Catharsis, or in other words, purging of the emotions "through pity and fear," is accomplished by tragedy. [5]
Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator ...
The origin of the word tragedy has been a matter of discussion from ancient times. The primary source of knowledge on the question is the Poetics of Aristotle.Aristotle was able to gather first-hand documentation from theater performance in Attica, which is inaccessible to scholars today.