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Domingo Antonio Santos Muñoz (born May 5, 1967), known professionally as Antony Santos, is a Dominican musician and singer. One of the top-selling bachata artists of all time, he is known as one of the pioneers of modern bachata in the early 1990s, with his role in redefining the genre to include romantic lyrics, poppy guitar licks, and implementation of new instruments, such as the piano and ...
En las Buenas y en las Malas (In Good and Bad Times) is the title of the 27th studio album released by Mexican performer José José on June 12, 1990. It was produced by Daniel Freiberg and Oscar Lopez. [1] The album included the number-one single "Amnesia", and the hits "Atrapado" and "Un hotel en vez de corazón". [2]
Bachata is a genre of music that originated in the Dominican Republic in the 20th century. It contains elements of European (mainly Spanish music), indigenous Taino and African musical elements, representing the cultural diversity of the Dominican population. [1]
Its accompanying music video was released on September 9, 2013, which was filmed at the National Library of Argentina and Palacio San Miguel. [6] Featuring Mexican entertainer Eiza González, it begins in a black-and-white scene, with Santos talking to a group of men at a party, eventually making eye contact at González.
K.O.B. Live (Kings of Bachata Live) is the second live album released by bachata group Aventura by Premiun Latin Music distributed by Sony Music Latin. [3] It was recorded during the promotion concert tour for their fourth studio album God's Project (2005).
Throughout the 1970s and 1980s, Paniagua's bachata albums were the best-selling. With his soft voice and romantic style, he appealed beyond bachata's usual working-class audience.
Buenas Noches was produced by guitarist Pete Anderson, Yoakam's creative partner since meeting in Los Angeles.Armed with a Telecaster, Anderson provided some fiery treble to Yoakam's songs in much the same way that guitarist Don Rich did for Buck Owens, and along with Yoakam's nasal, high lonesome voice, created a unique sound rooted in the Bakersfield honky-tonk scene from the fifties.
The film documents how Ry Cooder, a long-time friend of Wenders, brought together the ensemble of legendary Cuban musicians to record an album (also called Buena Vista Social Club) and to perform twice with a full line-up: in April 1998 in Amsterdam (two nights) and the 1st of July 1998 in the United States (at the Carnegie Hall, New York City).