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Reshaping via clicker training (a form of operant conditioning) or other means to obtain barking behavior on command, and then shaping the control to gain command over silence. In her 2008 book Barking: The Sound of a Language, [18] Turid Rugaas explains that barking is a way a dog communicates. She suggests signaling back to show the dog that ...
The Daimler scout car, known in service as the Daimler Dingo (after the Australian wild dog), is a British light, fast four-wheel drive reconnaissance vehicle also used for liaison during the Second World War.
Warn-barking in a homotypical sequence and a kind of "warn-howling" in a heterotypical sequence have also been observed. The bark-howling starts with several barks and then fades into a rising and ebbing howl and is probably (similar to coughing) used to warn the puppies and members of the pack .
A New Guinea singing dog being offered a bone. In 1999, a study of mitochondrial DNA (mtDNA) indicated that the domestic dog may have originated from multiple grey wolf populations, with the dingo and New Guinea singing dog "breeds" having developed at a time when human populations were more isolated from each other. [10]
The Singing Dogs was a Danish musical recording project in the 1950s by recording engineer and ornithologist Carl Weismann and record producer Don Charles based around manipulated recordings of dogs barking. Carl Weismann, while recording the sounds of birds for other projects, ended up with many recordings that were spoiled by dogs barking.
Dingo: Selections from the Motion Picture Soundtrack is the soundtrack to the 1991 movie of the same name. It was composed by Michel Legrand. Track listing All ...
Foghorn made with a marine shell, with a hole on its narrowest side An early form of fog signal: the fog bell at Fort Point Light Station, Maine. Audible fog signals have been used in one form or another for hundreds of years, initially simply seashell horns, fog bells or gongs struck manually.
The earliest reference to any form of the song is from the title of a piece of sheet music published in 1780, which attributed the song to William Swords, an actor at the Haymarket Theatre of London.